When I first talked with Anders Gustafsson and Erik Zaring in 2012, they promised their creepy, psychedelic, stop-motion game, The Dream Machine, was going to be better than sex with Jesus. They had a lot of work ahead of them — they were building the game by hand, with physical materials, and the stop-motion process was inherently time-consuming. Plus, they had to wrangle episodic installments of an intimate yet sprawling story inspired by LSD trips and theories of alternate reali…Read more
