When it was founded in 2007, SoundCloud was primarily focused on enabling file-sharing of original audio tracks, and basic collaboration among artists. The two co-founders came from music backgrounds; indeed, in early interviews they compared their fledgling platform to a musician’s version of Flickr or Vimeo. From the start, SoundCloud’s embeddable waveforms differentiated it from MySpace, which was soon to begin its vertiginous fall from authority.
With this week’s relaunch, SoundCloud aspires to more than a gleaming redesign, though it definitely brought out the silver polish for this refresh. The new SoundCloud has reshaped its feature set, formalizing an organic expansion into a broad listening platform. It is more than a refreshed site; it is a new product targeted point-blank at the headphone set rather than the mixing board crowd. Have artists been marginalized in the new and enlarged vision? And for the music fans the site hopes to attract, does SoundCloud work as a listening station?
Continue reading Editorial: the new SoundCloud is optimized for listeners, not uploaders
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